Posted by
David C. Innes on Wednesday, April 29, 2009 7:59:17 PM
You
cannot avoid having to deal with Jesus. The Roman governor who
condemned Jesus to death, asked the crowd what everyone must ask
himself: "What shall I to do, then, with Jesus who is called Christ?"
(Matthew 27:22). Islam attempted to become the world religion, but in
the Koran there is a background contention with Jesus. Modern political
philosophy is a response to, and an attempt to overcome, the claims of
Christ and the working out of them in history. Francis Bacon, the
founder of and chief apologist for modern science knew that he had to
displace the Christian hope if people were fully to embrace science as
the fount from which all blessings flow. The modern political monster,
Marxism, is secularized Christian eschatology (insofar as it can
conceivably be secularized). The other great bookend of political
philosophy, Friedrich Nietzsche, put his hope in the rise of an
Ubermensch,
a world recreating, heroic, suffering servant. Were there Christian
themes in Nazism? I would be surprised to find there weren't. The North
Korean ideology is a political gospel modeled on the Christian gospel,
with Kim Jong Il in the role of the Son.
Now here are the most
ardent Obama supporters casting their political hero explicitly in the
form of Christ the Savior. As Jesus referred to himself as "the way,
the truth and the life" (John 14:6 NIV), the artist entitles the
painting, "The Truth."
For those who are totally illiterate
biblically, let me point out that Obama has his arms extended with open
palms in a way that mimics Jesus hanging on the cross, but with no
expression of agony, suggesting that he is already dead. Perhaps
D'Antuono is just not as good an artist as his benefactors think he is.
On
his head sits a crown of thorns. Again, the Apostle Matthew tells us,
"The the governor's soldiers took Jesus into the Praetorium and
gathered the whole company of soldiers around him. They stripped him
and put a scarlet robe on him, and then they wove a crown of thorns and
set it on his head" (Matthew 27:27-29).
When Jesus died on the
cross after many hours of tortuous suffering, "At that moment, the
curtain of the temple was torn in two from top to bottom" (Matthew
27:51). God used this miracle (it tore from the top, not the bottom) to
indicate that, by his atoning death on the cross, Jesus had purchased
access for God's people into God's holy presence. The curtain that had
separated worshippers from the Holy of Holies was no longer necessary
for anyone who would approach God in faith with his sins cleansed by
the blood of Christ (Heb. 4:14-16; 10:19-22). Clearly what Obama is
depicted as doing in this painting is giving the American people access
to presidential power.
The Letter to the Hebrews in the New
Testament directs the Christian believer's attention from what Jesus
accomplished by the cross to "the hope we profess, for he who promised
is faithful" (Hebrew 10:23). The Apostle John tells us what he
promised: "I am the resurrection and the life. He who believes in me
will live, even though he dies; and whoever lives and believes in me
will never die." Barack Obama promised us "hope." The hope that this
artist sees the new President bringing us, however, is fleeting,
illusory, and ambiguous at best by comparison. Obama also promised us
change. But Jesus died and rose again so that people could "be changed"
(1 Corinthians 15:51; Ezekiel 36:26). He came to raise the spiritually
dead to life and recreate us, renewing our hearts in love.
The
puzzle of the painting, as I see it, is in what the artist sees as the
President's suffering and sacrifice. In what sense is he laying down
his life for us? The press adores him and he appears to be having a
really good time. His popular approval rating are still quite high. So
where's the suffering servant? Does Michael D'Antuono anticipate an
Lincolnian end for this President? That is a horrible thought, but not
nearly as horrible as a painting that anticipates (one dreads to say
"hopes for" in some perverse way) such a national tragedy.
I say
once again that President Obama, especially if he is in any sense a
Christian, needs to rebuke his followers for this sort of spiritual
blasphemy and political lunacy. But I suspect that he won't because
evidence of fanatical following supports him politically, and part of
him may just believe the adulation. If these suspicions are correct, I
fear that he is in for a terrible crash. I just pray that he does not
bring the country down with him in the process.
****************
Update 4/29/2009:
D'Antuono has canceled the Union Square showing. You can read his statement
here.
He told Culture Monster at the LA Times,
"I canceled the showing out of respect for religion. It was not meant
to offend so many people. I don't think it would be helpful to the
cause of unity to show it."
So it seems he is no Andres Serrano. He's just confused. For example, he also told
The LA Times,
"It was supposed to provoke political dialogue. I wanted to start a
discussion. Is Obama being crucified by the right? Do people think he's
the next savior?"
Are we in any need of provocation for
political dialogue on Barack Obama? If it is civil dialogue you want,
you have to be fairly deeply embedded in the Obama-crazed arts
"community" to think that a painting like this one would accomplish
such dispassionate conversation. Also, what fair-minded person thinks
that the right is "crucifying" the President? But I suppose they are,
if ordinary political opposition counts.